Broom’s main painting practice takes two distinct forms: lush, exotic landscapes and abstract pieces. Connecting these bodies of work is a strong sense of colour, references to organic forms and the exploration of the mediums she works with.
The abstract paintings are created through a process that involves no intervention with tools or brushes, just the flow and manipulation of the medium on the canvas. There is an immediacy and freshness borne out of this way of working which is complementary to the layered aspect of her landscape paintings.
Broom’s landscapes represent re-imagined places which are celebratory, and in some senses, a rose-tinted view of the natural world. The surface joyousness is tempered by an uneasy sense of abandonment. Broom depicts wild places that are uninhabited and timeless, offering a glimpse of paradise that would ultimately ensnare and/or is potentially lost to us.
Large-scale commissions have included a 4x4m centrepiece for the lobby of the new Four Seasons in Downtown New York and a large abstract for the Mandarin Oriental in London.